Archives For MoMA

moma_ps1_ffpDon’t look at pictures on the internet of Meeting James Turrell at MoMA. Just go and experience the thing for yourself.

That’s what I did. In fact, admittedly, I didn’t even know it was there. I went to PS1 last Sunday because I said to my roommate, “What should I do today? I want to do something that’s outside and free.”

She said, “Go to MoMA PS1. It’s both of those things, at least on Sundays.”

First off, MoMA PS1, unsurprisingly, given the organization’s devotion to architecture and design, is architecturally fascinating. They have all these brutalist concrete walls in the front and the building is a renovated Romanesque school. It still has the hardwood floors that you’d remember from 5th grade and those high windows in the entrances of rooms. In the basement you can explore old cavernous heating rooms with exposed pipes that they painted gold. The atmosphere in general is warm and inviting, yet the art is challenging.

Most of MoMA PS1 is currently the Mark Leckey show. But this article is about Meeting James Turrell, so I’ll just leave it at that.

After seeing a bunch of his stuff—it is funny and provocative; don’t want you to think I didn’t like it—I wandered upstairs and saw a door that was shut. There was a MoMA employee there like how they usually stand outside exhibitions, but I had never seen a door closed to an exhibit before. At this moment, I did have a lot of fear, thinking that this had to be exclusive, maybe only for inviteés or staff, but the staff member didn’t say anything. I looked at her and thought of Albert Bandura’s self-efficacy framework—if you believe you can do it, you can do it—and I reached for the door handle. I figured, if I’m not allowed to do this, they’ll say something.

A couple seconds later, as I entered the room, I was transported. Everything that had happened before a couple seconds ago was the past, and was in no way connected to the present. I sat (I don’t think that’s giving away anything) and observed. I saw people—mostly very stylish and from various races and ethnicities, because you’re in Queens and at MoMA PS1—full of joy and gratitude. It was like we could just look around at each other and say, “We all made it here. We did it.” Maybe I’m crazy, but there was a general feeling in the space that we were all so lucky to witness this. It was so simple, so natural. It was one of those things that just had to exist.

I stayed for about 15 minutes and that was the most serene 15 minutes I’ve experienced in a long time. After awhile I left because I felt like I had to, because I needed to give up my space for someone else to experience this.

And that’s what it was like Meeting James Turrell at Moma PS1.

By: David Plick

Through April 23rd MoMA is featuring the exhibition, How Should We live: Propositions for the Modern Interior. The exhibition examines the frameworks and designs that have shaped the various modern environments, from suburban homes to boutiques and shops. They also enter the personal spaces of famous designers such as Mies van der Rohe and Le Corbusier for perspective on how design legends design their own lives. You can even drink coffee in a rendition of Lilly Reich’s Velvet-Silk Café (1923).

With the global population currently at 7.5 billion and that number expected to reach 10 billion in our lifetime, what we do with our limited space has never been more important. Google responded to this challenge for space by pioneering the open-office movement which has been met with much hostility (like here, here and here, oh, and here). People hate the open office, because, what do they love? Privacy.

But is privacy going to be an option when you’re sharing the Earth with 10 billion other people? At the end of the widely popular article, “Google got it wrong. The open-office trend is destroying the workplace,” by Lindsey Kaufman, after complaining throughout the entire piece like a privileged Goldman Sachs exec having to take the train one day because their driver got into a fender bender, she actually diverted her thesis and entered into a new and more likeable argument: instead of an open-office, why don’t we just work from home?

As companies allow for more and more “work from home” models to save space and expenses, this also may provide for a potentially higher quality of life for their employees. But now, all of a sudden, the space that we use for “work” and “home” have become one.

By: David Plick